Start improvising and you can feel the fear of a blank canvas.
How do you start improvising? In a improv world of no rules and nothing is wrong, how do you know what is right?
People tell me to learn Improv
I received this note recently:
I am not a performer of teacher… yet the reason I ordered your book is I have been told by spiritual guides in my life that I should learn improv. Left to my own devices, I would not have considered it because I am basically a shy self-conscious woman, especially when it would come to thinking on my feet in front of an expectant audience.
They say (whoever they are) that it is wise to face our fears so I suppose that is my motivation. It also resonates in me now that I have been alerted to it. I do tend to think and say things in the moment that either make others laugh or listen so who knows…
I bought the book because I am unable to find improv classes in my area. I thought reading about it would be a good start.
Yes and…
Here is my response:
I understand your point of view. In my early acting training I was ‘taught’ to improvise and I hated it. But then I picked up the book Impro by Keith Johnstone and began reading the theories behind the improv along with improv games and exercises. It was transformational.
Here is a big learning from Impro:
People who say yes are rewarded by the adventures they have and people who say no are rewarded by the safety they attain. ~ Keith Johnstone
The stage (or a theatre/storytelling space) should be a safe place to say âyesâ… because weâre all just pretending. So why not?
Also I might suggest my friend Patricia Ryan Madsonâs book Improv Wisdom. She is a former teacher at Stanford University and wrote a book about how to bring the principals of improv into your non-theatre life.
Invite a few friends over to your house and play a few games. If youâre not having fun… then move on to another game or change the game until you are having fun. Thatâs actually how I started BATS Improv in San Francisco.
We get together, play and see what happens.
It’s about FEAR!
She sent this reply:
Thanks for the helpful information, William đ
I definitely get how doing improv could be loads of fun. My fears enter when there is a paying audience involved. The pressure to be funny, entertaining worth their time and money might interfere with my ability to go with the flow.
Don’t Entertain, play!
I replied:
Oh… now I see… doing improv in front of an audience… a paying audience.
You are right that the pressure to be funny can be paralyzing… wanting to make it worth their time and money to watch what you âjust make upâ.
I understand. Years ago when I auditioned for “Whose Line Is It Anyway…” I felt that fear grip me deeply… preventing me from doing anything but breathing… thankfully breathing is done without conscious effort.
Start playing and youâll discover how entertaining it is… just to have fun… even to fail… hey, an audience likes performers who risk and fail… and if your purpose is to entertain… then maybe a little failure is just right.
If you can shift your internal focus from “entertaining” them to playing and discovering there will be less fear, less pressure and more shared fun. Look at this article about reducing fear by being obvious.
Games are Entertaining
The game structures carry a self realizing entertainment factor… which can take the pressure off the performer. A game like “Alphabet” (where the lines of dialogue begin with sequential letters of the alphabet) holds itâs own âhookâ for the audience to focus on… so youâll find out when you play these games… theyâre totally fun.
But… here is my warning… the games can be seductive because they work so well… doing improv without âgamesâ is risky… and the stage is not valuable (or entertaining) if it isnât risky.
Thanks for setting me straight on your situation.
How do you start improvising? Play.